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Maurizio Bianchi - An Hour With​.​.​. (Placenta Recordings #250 - 2014)

by Maurizio Bianchi

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1.
SEVENTEEN MINUTES AND FIFTY SECONDS 17:50
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2.
TWELVE MINUTES AND THIRTEEN SECONDS 12:13
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3.
EIGHT MINUTES AND TWENTY-SEVEN SECONDS 08:27
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4.
TWENTY-ONE MINUTES AND TWENTY-NINE SECONDS 21:29
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M.B. - "AN HOUR WITH..." (Placenta Recordings #250 - 2014)

Placenta Recordings is proud to present our 250th release: "AN HOUR WITH" by M.B. aka Maurizio Bianchi, the legendary Italian composer.

Tracks:

SEVENTEEN MINUTES AND FIFTY SECONDS
TWELVE MINUTES AND THIRTEEN SECONDS
EIGHT MINUTES AND TWENTY-SEVEN SECONDS
TWENTY-ONE MINUTES AND TWENTY-NINE SECONDS

Many thanks to Pharmakustik for his excellent treatments.
Front cover picture (SDC10596) by Teresa B.; back cover picture by M. B.

Preface:
Entertainment is one of the moments where you can relax, to the detriment of the concentration. So why not create a kind of conscientious entertainment, that awakes the insensible minds? Here comes the work "An hour with ...", conceived with the specific aim to sensitize the listener with keen use at the same time of rough and crystalline sonorities, managed to raise torpid awareness. Good meditation for an hour of your life, and then...?

en.wikipedia.org/wiki/Maurizio_Bianchi
myspace.com/mauriziobianchi

"Bianchi began to produce music in 1979, and since 1980 has used electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realizing of the modern decadence".

In the beginning, he published tapes under the alias Sacher-Pelz. In 1981, William Bennett, head of the band Whitehouse and the British Come Org. label, offered Bianchi a record contract, which Bianchi signed unchecked. It was based on a "joke contract" that Steven Stapleton of Nurse With Wound had sketched. The contract assumed all rights to Bianchi's work. After delivery of the tapes Bennett edited-in speeches by Nazi leaders, and instead of the relatively unsensational name MB, it was published under the alias Leibstandarte SS MB, named after the SS unit that worked as bodyguards to Adolf Hitler.
Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations.

Bianchi became religious and withdrew from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions. In 1998, encouraged by Alga Marghen label head Emanuele Carcano, who offered him a label of his own, Maurizio Bianchi started again to make music. The label is EEs'T Records, through which he released new editions of all old MB albums, as well as many new recordings.

Therefore, since 1997, he was back on the underground scene, working on several projects both in solo or in collaboration with other Italian artists (Giuseppe Verticchio/NIMH, Arnaldo Pontis and Corrado Altieri/TH26, Davide Femia/MDT, Saverio Evangelista, Matteo "Hue" Uggeri/Sparkle in Grey, Emanuela De Angelis and Eugenio Maggi/Crìa Cuervos) and international (Klaus e Danijela Jochim/Telepherique, Sandro Kaiser/Frequency In Cycles Per Second, Akifumi Nakajima/Aube, David van Ravesteijn/Land Use, Siegmar Fricke, Nobu Kasahara e Hitoshi Kojo, Maor Appelbaum, Jozef Van Wissem, Craig Hilton, Philip Julian/Cheapmachines).

On August 19, 2009, for unspecified personal reasons, Maurizio Bianchi decided again to completely stop making music."

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released September 27, 2018

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